Résumé (CV)
| 2024-2026 |
Postdoctoral researcher - Fair MusE Project Gériico Laboratory, University of Lille |
| 2022-2024 |
Assistant lecturer and researcher (ATER) Conservatoire national des arts et métiers (CNAM) LMSSC Laboratory |
| 2019-2022 |
Doctoral contract ERC AdG COSMOS Project UMR9912-STMS Laboratory (IRCAM, SU, CNRS) |
| 2018-2019 |
Research engineer Perception and Sound Design team (PDS), IRCAM |
| 2018 (02-06) |
Research internship: Are musical emotions expressed in the same way as in speech? Perception and Sound Design team (PDS), IRCAM |
| 2017 (05-07) |
Research internship: Acoustics of central African harps (Kundi project) Lutheries-Acoustique-Musique (LAM), Institut Jean le Rond d'Alembert |
| 2013-2016 |
Assistant lecturer - Advanced Technical Degree in Recording and Music Production Universidad de Las Américas, Quito |
| 2011-2013 |
Acoustical engineer Tecnologías acústicas del Ecuador S.A. (Tecnoakustiks) |
| 2019-2023 |
PhD - Information and Communication Sciences STMS-UMR9912 Laboratory (IRCAM, Sorbonne Université, CNRS) Research topic: Representation and analysis of musical structure annotations Supervisor: Pr. Elaine Chew (KCL). Defense: October 2023 |
| 2017-2018 |
Master 2 - ATIAM (Acoustics, Signal processing and Computer Science applied to Music) Sorbonne Université, IRCAM, Télécom ParisTech |
| 2016-2017 |
Master 1 - Engineering sciences, specializing in acoustics Sorbonne Université (previously Université Pierre et Marie Curie “UPMC”) |
| 2013-2016 |
Master in Higher Education Universidad de las Fuerzas Armadas ESPE, Sangolquí—Ecuador |
| 2006-2011 |
Sound and Acoustics Engineering Universidad de Las Américas (UDLA), Quito—Ecuador |
| Date | Institution | Courses |
|---|---|---|
| 2025-2026 | Université Paris Cité |
|
| 2022-2024 | Conservatoire national des arts et métiers |
|
| 2021-2022 | Sorbonne Université |
|
| 2013-2016 | Universidad de Las Américas Quito |
|
For more details, go to: Teaching
- Bedoya, D. Fyfe, L., & Chew, E. (2025). Science of music-based citizen science: How seeing influences hearing. PLoS One 20(9): e0325019. doi: 10.1371/journal.pone.0325019
- Fyfe, L., Bedoya, D., & Chew, E. (2022). Annotation and Analysis of Recorded Piano Performances on the Web. JAES Journal of the Audio Engineering Society, 70(11), 962-978. doi: 10.17743/jaes.2022.0057
- Bedoya, D., Fyfe, L., & Chew, E. (2022). A Perceiver-Centered Approach for Representing and Annotating Prosodic Functions in Performed Music. Frontiers in psychology, 13. doi: 10.3389/fpsyg.2022.886570
- Bedoya, D., et al. (2021). Even violins can cry: specifically vocal emotional behaviours also drive the perception of emotions in non-vocal music. Philosophical Transactions of the Royal Society B, 376(1840), 20200396. doi: 10.1098/rstb.2020.0396
For a full list, go to: Publications
| Data Science | Data wrangling and database management, statistical analysis, visualization |
| Programming | Python, Matlab, R, SQL, Elasticsearch, HTML-CSS & JavaScript |
| Engineering sciences | Acoustic measurements/analyses, computer music, audio signal processing |
| Cognitive Science | Designing experimental protocols, coordinating experiments |
| Sound engineering | Sound recording, editing, audio mixing, sound design, score editing |
| Other | LaTeX, Git, Bash, MS Office, image and video editing, vector graphics |
| Spanish | Native |
| French | (read, written, and fluently spoken) + Level B2 Certificate (DELF) |
| English | (read, written, and fluently spoken) + Level B2 Certificate (ESPE, Ecuador) |